Preface and Acknowledgments
Introduction
Chapter One: On Looking
Chapter Two: Scottsboro, the Communist Party, and the NAACP: A Story Told in Prints
Chapter Three: The Antilynching Exhibitions of 1935: Strategies and Constraints
Chapter Four: Race, Sex, and Politics in Prewar America: Picturing Black Oppression
Chapter Five: Mass Media, World War II, and the Cold War: The Lynching of George Dorsey and Emmett Till
Chapter Six: The Evolution of Lynching Narratives in Contemporary Art
Notes
Bibliography
Index