Table of contents for The New Anthology of American Poetry, Vol. 2, Modernisms: 1900-1950 edited by Steven Gould Axelrod, Camille Roman, Thomas Travisano


CONTENTS

Preface

Acknowledgments

PART ONE: FIRST-GENERATION MODERNISMS

Introduction

NATIVE-AMERICAN SONGS AND POETRY

Song of the Crows [chippewa]

Love-Charm Song [chippewa]

The Approach of the Storm [chippewa]

Song of the Captive SiouxWoman

As my eyes search the prairie [chippewa]

You Have No Horses [teton sioux]

Arrow Song [chippewa]

The Rising of the Buffalo Men [osage]

Song to the Pleiades [pawnee]

NATIVE-AMERICAN GHOST DANCE SONGS

Father, Have Pity on Me

My Children,When at First I Liked theWhites

When I Met Him Approaching

My Son, LetMe Grasp Your Hand

The Spirit Host Is Advancing, They Say

He’Yoho’Ho! He’Yoho’Ho!

I’Yehe! My Children—Uhi’Yeye’heye!

SONGS OF DISPLACEMENT, MIGRATION, AND WORK I

JINSHAN GE/SONGS OF GOLD MOUNTAIN

I have walked to the very ends of the earth

Where is my husband now?

My loved one is far away

Sons and grandsons are dearest to one’s heart

I’ve returned to Hong Kong from America

With a mere glance at the fur coat

School lets out for the summer

I married an emancipated woman

In all earnestness, I speak to all my sisters

A man’s ambition is to conquer the world

I’m sixty, this autumn

Face haggard, turning yellow and puffy

A green mansion is a place of filth and shame

HAWAIIAN PLANTATION WORK SONGS

Dekasegi wa kuru kuru/The laborers keep on coming

Joyaku wa kirerushi/The contract is over and yet

Sodo okoshite/If we can get married

In the rush at pau hana

I hate hole hole work

With one woven basket

Should I return to Japan?

JAPANESE IMMIGRANT POETRY

Day of vast dreaming

Family treasures

With eyes filled with tears

Once a Meiji voice

Streamers of farewell

My island spirit

Loud waves up and down

Just for a while

Eager to become

A barren grassland

America . . . then

Issei’s history—

JEWISH LABOR POETRY

Memorial to Triangle Fire Victims Morris Rosenfeld

The Uprising of the 20,000

WILLA CATHER (1873–1947)

Prairie Spring

Macon Prairie

ALEXANDER POSEY (1873–1908)

Ode to Sequoyah

Hotgun on the Death of Yadeka Harjo

LOLA RIDGE (1873–1941)

The Fifth-Floor Window

Phyllis

Morning Ride

Stone Face

ROBERT FROST (1874–1963)

The Tuft of Flowers

The Pasture

Mending Wall

The Death of the Hired Man

Home Burial

After Apple-Picking

The Wood-Pile

The Road Not Taken

Birches

The Oven Bird

Fire and Ice

Dust of Snow

Stopping by Woods on a Snowy Evening

Acquainted with the Night

Desert Places

Design

Directive

PROSE

The Figure a Poem Makes

AMY LOWELL (1874–1925)

Aubade

The Captured Goddess

The Taxi

The Letter

Venus Transiens

A Decade

Bath

from Guns as Keys: And the Great Gate Swings

The Weathervane Points South

Vernal Equinox

September, 1918

Dissonance

TRANSLATIONS AND ADAPTATIONS

In Time of War

A Poet’s Wife

Moon Haze

Nuance

Vicarious

Afterglow

The Retreat of Hsieh Kung

The Lonely Wife

Together We Know Happiness

Vespers

PROSE

from Some Imagist Poets

Preface

GERTRUDE STEIN (1874–1946)

Picasso

Susie Asado

Preciosilla

Guillaume Apollinaire

from Tender Buttons

Idem the Same: A Valentine to Sherwood Anderson

George Hugnet

from Four Saints in Three Acts

PROSE

from Composition as Explanation

TRUMBULL STICKNEY (1874–1904)

Mnemosyne

Live blindly and upon the hour

The melancholy year is dead with rain

Mt. Lykaion

Dramatic Fragment 5

ALICE DUNBAR-NELSON (1875–1935)

I Sit and Sew

You! Inez!

YONE NOGUCHI (1875–1947)

Lines

In Japan Beyond

from Japanese Hokkus

1 (‘‘Suppose the stars’’)

16 (‘‘Are the fallen stars’’)

61 (‘‘Like a cobweb hung upon the tree’’)

68 (‘‘Oh, how cool—’’)

AMEEN RIHANI (1876–1940)

It Was All for Him

Lilatu Laili

LUIS LLORENS TORRES (1876–1944)

El patito feo/The Ugly Duckling

ADELAIDE CRAPSEY (1878–1914)

The Witch

November Night

Release

Susanna and the Elders

Languor After Pain

The GuardedWound

NightWinds

Amaze

Madness

The Warning

Laurel in the Berkshires

Niagara

The Pledge

On Seeing Weather-Beaten Trees

The Sun-Dial

Song

CARL SANDBURG (1878–1967)

Chicago

Fog

Among the Red Guns

Grass

Jazz Fantasia

VACHEL LINDSAY (1879–1931)

General William Booth Enters into Heaven

Buddha

Abraham Lincoln Walks at Midnight

WALLACE STEVENS (1879–1955)

Sunday Morning

Disillusionment of Ten O’Clock

Thirteen Ways of Looking at a Blackbird

The Death of a Soldier

Anecdote of the Jar

Gubbinal

The Snow Man

Bantams in Pine-Woods

The OrdinaryWomen

A High-Toned Old Christian Woman

O Florida, Venereal Soil

The Emperor of Ice-Cream

The Idea of Order at Key West

Connoisseur of Chaos

Of Modern Poetry

Large Red Man Reading

Final Soliloquy of the Interior Paramour

Of Mere Being

ANGELINA WELD GRIMKE´ (1880–1959)

El Beso

The Black Finger

The Want of You

Dawn

Dusk

Little Grey Dreams

Tenebris

Grass Fingers

A Mona Lisa

Fragment

GEORGIA DOUGLAS JOHNSON (ca. 1880–1966)

The Heart of a Woman

Motherhood

Common Dust

Prejudice

The Suppliant

Escape

The Black Runner

H. T. TSIANG [HSI-TSENG CHIANG] (1880–1971)

Shantung

WITTER BYNNER (1881–1968)

Snake Dance

JESSIE REDMON FAUSET (1882–1961)

Oriflamme

Words! Words!

Touche´

La Vie C’est la Vie

MINA LOY (1882–1966)

Love Songs to Joannes

Brancusi’s Golden Bird

Gertrude Stein

ANNE SPENCER (1882–1975)

At the Carnival

Before the Feast of Shushan

White Things

Lady, Lady

KAHLIL GIBRAN [JUBRAN KHALIL JUBRAN] (1883–1931)

The Fox

JAMIL B. HOLWAY (1883–1946)

Throbbings

WILLIAM CARLOS WILLIAMS (1883–1963)

The Young Housewife

Chinese Nightingale

Apology

Tract

El Hombre

Danse Russe

Portrait of a Lady

Queen-Anne’s-Lace

The Great Figure

Spring and All

The Rose

To Elsie

The Red Wheelbarrow

Brilliant Sad Sun

This Is Just to Say

The Locust Tree in Flower

To a Poor Old Woman

The Yachts

Between Walls

These

The Dance

from Paterson

The Descent

The Ivy Crown

Tribute to Neruda, the Poet Collector of Seashells

Ho Chih-Chang

Landscape with the Fall of Icarus

PROSE

from Spring and All

SARA TEASDALE (1884–1933)

The Sanctuary

Effigy of a Nun

Day’s Ending

EZRA POUND (1885–1972)

A Virginal

The Return

Salutation

A Pact

In a Station of the Metro

The River-Merchant’s Wife: A Letter

from Hugh Selwyn Mauberley

from The Cantos

Canto I

Canto XIII

Canto XLV

from Canto LXXXI

Canto CXVI

Canto CXX

PROSE

from A Retrospect

ELINOR WYLIE (1885–1928)

The Eagle and the Mole

Wild Peaches

Sanctuary

Velvet Shoes

Drowned Woman

Let No Charitable Hope

Self-portrait

Where, O,Where?

Felo De Se

H.D. [HILDA DOOLITTLE] (1886–1961)

Hermes of the Ways

O read

Sea Rose

Mid-day

Sheltered Garden

Fragment 113

Helen

Fragment Sixty-eight

Epitaph

from Tribute to the Angels

HAZEL HALL (1886–1924)

Instruction

Light Sleep

Things That Grow

The Listening Macaws

ROBINSON JEFFERS (1887–1962)

Salmon Fishing

Birds

Boats in a Fog

Roan Stallion

Hurt Hawks

The Purse-Seine

The Beaks of Eagles

The Ocean’s Tribute

It nearly cancels my fear of death

MARIANNE MOORE (1887–1972)

A Jelly-Fish

To Military Progress

Critics and Connoisseurs

The Fish

Poetry

A Grave

Marriage

Silence

The Steeple-Jack

The Pangolin

The Paper Nautilus

He ‘‘Digesteth Harde Yron’’

In Distrust of Merits

Nevertheless

The Mind Is an Enchanting Thing

T. S. ELIOT (1888–1965)

The Love Song of J. Alfred Prufrock

Preludes

Gerontion

The Waste Land

from Four Quartets

Little Gidding

PROSE

Tradition and the Individual Talent

JUN FUJITA (1888–1963)

Michigan Boulevard

Chicago River

JOHN CROWE RANSOM (1888–1974)

Necrological

Bells for John Whiteside’s Daughter

Here Lies a Lady

Captain Carpenter

CONRAD AIKEN (1889–1973)

from Senlin: A Biography

Prelude 1

Time in the Rock 42

CLAUDE MCKAY (1889–1948)

The Harlem Dancer

If We Must Die

The Tropics in New York

America

Baptism

Outcast

Harlem Shadows

MIKHAIL NAIMY (1889–1988)

Hunger

My Brother

from The Chord of Hope

ELIA ABU MADI [MADEY] (1890–1957)

Holiday Present

ARCHIBALD MACLEISH (1892–1982)

Ars Poetica

EDNA ST. VINCENT MILLAY (1892–1950)

Time does not bring relief; you all have lied

If I should learn, in some quite casual way

The Little Ghost

Bluebeard

First Fig

I think I should have loved you presently

Oh, think not I am faithful to a vow!

I shall forget you presently, my dear

Only until this cigarette is ended

Recuerdo

Grown-up

Love is not blind. I see with single eye

I, being born a woman and distressed

What lips my lips have kissed, and where, and why

To Inez Milholland

Justice Denied in Massachusetts

To Elinor Wylie

Love is not all: it is not meat nor drink

If in the years to come you should recall

And must I then, indeed, Pain, live with you

DOROTHY PARKER (1893–1967)

General Review of the Sex Situation

One Perfect Rose

SALOMO´ N DE LA SELVA (1893–1959)

Tropical Town

Tropical Childhood

Deliverance

E. E. CUMMINGS (1894–1962)

All in green went my love riding

in Just-

O sweet spontaneous

Buffalo Bill’s

the Cambridge ladies who live in furnished souls

Poem,or Beauty Hurts Mr. Vinal

i sing of Olaf glad and big

CHARLES REZNIKOFF (1894–1976)

On Brooklyn Bridge I saw a man drop dead

The shopgirls leave their work

Romance

My work done, I lean on the window-sill

I have not even been in the fields

In the shop, she, her mother, and grandmother

The girls outshout the machines

They have built red factories along Lake Michigan

She sat by the window opening into the airshaft

Still much to read, but too late

It had long been dark, though still an hour before supper-time

Permit me to warn you

Testimony

Kaddish

As I was wandering with my unhappy thoughts

Te Deum

Epilogue

Four sailors on the bus, dressed in blue denim shirts

If the ship you are traveling on is wrecked

If you cannot look at the sun

Free Verse

from Holocaust

GENEVIEVE TAGGARD (1894–1948)

Everyday Alchemy

With Child

To the Veterans of the Abraham Lincoln Brigade

JEAN TOOMER (1894–1967)

Skyline

Reapers

November Cotton Flower

Cotton Song

Song of the Son

Georgia Dusk

Portrait in Georgia

Seventh Street

Her Lips Are CopperWire

Our Growing Day

DADA

Ing Walter Arensberg

Appalling Heart Else von Freytag-Loringhoven

Is It? Else von Freytag-Loringhoven

SONGS OF DISPLACEMENT, MIGRATION, AND WORK II

CORRIDOS

Registro de 1918/Registration of 1918

Nuevo Corrido de Laredo/New Corrido of Laredo

La Discriminacio´n/Discrimination Juan Gayta´n

Corrido de ‘‘Gregorio Cortez’’/Corrido of ‘‘Gregorio Cortez’’

Corrido de los Desarraigados/Corrido of the Uprooted Ones

Corrido de Tejas/Texas Corrido

Deportados/Deported

ANGEL ISLAND POETRY

Japanese Angel Island Poetry

Angel Island—what a beautiful name Kiyohi Hama

New Year’s Day on Angel Island Kiyohi Hama

New Year’s Day came quietly and left silently Kiyohi Hama

Chinese Angel Island Poetry

Today is the last day of winter

The insects chirp outside the four walls

Leaving behind my writing brush and

If the land of the Flowery Flag is occupied by us in turn

The low building with three beams merely shelters the body

This is a message to those who live here not to worry excessively

This place is called an island of immortals

My grief, like dense clouds, cannot be dispersed

The young children do not yet know worry

For one month I was imprisoned; my slippers never moved forward

It was four days before the Chongyang Festival

My parents are old; my family is poor

I went east to Asia; I went west to Europe

I raise my brush to write a poem to tell my dear wife

The silvery red shirt is half covered with dust

Xishi always lives in golden houses

Having not yet crossed the Yellow River, my heart is not at peace

ASIAN-INDIAN IMMIGRANT POETRY

Some push us around, some curse us

Your hair is like a panther’s shadow

KOREAN IMMIGRANT SONGS

Some loves are soft, others are rough

Ari-rang, Ari-rang, A-ra-ri-yo

FILIPINO POETRY AND SONGS

Song of the Alaskero

You were still waving, beloved

Then why did I have to make

The Filipino woman

PARLOR SONGS AND BALLADS

Bird in a Gilded Cage Arthur J. Lamb

Bill Bailey,Won’t You Please Come Home? Hughie Cannon

In the Good Old Summer Time Ren Shields

Meet Me in St. Louis, Louis Andrew Sterling

Mary’s a Grand Old Name George M. Cohan

Harrigan George M. Cohan

Shine On, Harvest Moon Jack Norworth

Take Me Out to the Ball Game Jack Norworth

By the Light of the Silvery Moon Edward Madden

Let Me Call You Sweetheart Beth SlaterWhitson

Peg O’ My Heart Alfred Bryan

Frankie and Johnny

John Henry

WORLD WAR I–ERA SONGS

Give My Regards to Broadway George M. Cohan

You’re a Grand Old Flag George M. Cohan

Alexander’s Ragtime Band Irving Berlin

Keep the Home Fires Burning Lena Guilbert Ford

Over There George M. Cohan

Oh! How I Hate to Get Up in the Morning Irving Berlin

PART TWO: SECOND-GENERATION MODERNISMS

Introduction

BLUES

Yellow Dog Blues W. C. Handy

St. Louis Blues W. C. Handy

Beale Street Blues W. C. Handy

Crazy Blues Perry Bradford

Down-Hearted Blues Lonie Austin and Alberta Hunter

See See Rider Ma Rainey

Wild Women Don’t Have the Blues Ida Cox

Friendless Blues Mercedes Gilbert

Mamie’s Blues Jelly Roll Morton

Young Woman’s Blues Bessie Smith

Backwater Blues Bessie Smith

Prove It on Me Blues Ma Rainey

Goodnight Irene

JAZZ AND MUSICAL THEATER LYRICS

Hello! My Baby Joseph Howard

I’ve a Shooting Box in Scotland Cole Porter

Till the Clouds Roll By Jerome Kern and P. G.Wodehouse

Ja Da Bob Carleton

There’s Magic in the Air Ira Gershwin

I’m Just Wild About Harry Noble Sissle

Charleston Cecil Mack

Star Dust Mitchell Parish

It Don’t Mean a Thing (If It Ain’t Got That Swing) Edward Kennedy ‘‘Duke’’ Ellington and Irving Mills

Brother, Can You Spare a Dime? E. Y. ‘‘Yip’’ Harburg

Over the Rainbow E. Y. ‘‘Yip’’ Harburg

GOSPEL MUSIC

The Old Rugged Cross George Bennard

Take My Hand, Precious Lord Thomas A. Dorsey

This Little Light of Mine Harry Dixon Loes and Avis B. Christiansen

Down by the Riverside

EVARISTO RIBERA CHEVREMONT (1896–1974)

La sinfoný´a de los martillos/Symphony of the Hammers

LOUISE BOGAN (1897–1970)

Medusa

Women

The Alchemist

The Crows

Henceforth, From the Mind

The Sleeping Fury

Psychiatrist’s Song

MELVIN B. TOLSON (1898–1966)

from Dark Symphony

from Harlem Gallery

HART CRANE (1899–1932)

In Shadow

My Grandmother’s Love Letters

Chaplinesque

Praise for an Urn

Voyages

To Brooklyn Bridge

Van Winkle

Eternity

The Broken Tower

PROSE

from General Aims and Theories

WEN I-TO [WEN JIAHUA] (1899–1946)

The Laundry Song

ALLEN TATE (1899–1979)

The Wolves

The Mediterranean

Ode to the Confederate Dead

The Swimmers

YVOR WINTERS (1900–1968)

Two Songs of Advent

The Hunter

The Shadow’s Song

Cool Nights

Sleep

God of Roads

The Marriage

By the Road to the Air-Base

A Dream Vision

STERLING BROWN (1901–1989)

When de Saints Go Ma’ching Home

Strong Men

Slim Greer

Slim Lands a Job?

Ma Rainey

LAURA RIDING (1901–1991)

Helen’s Burning

The World and I

The Wind Suffers

GWENDOLYN BENNETT (1902–1981)

Heritage

Street Lamps in Early Spring

ARNA BONTEMPS (1902–1973)

A Black Man Talks of Reaping

Nocturne at Bethesda

KENNETH FEARING (1902–1961)

Dirge

Ad

Beware

Art Review

LANGSTON HUGHES (1902–1967)

The Negro Speaks of Rivers

Negro

Danse Africaine

Jazzonia

Justice

The Weary Blues

Song to a Negro Wash-Woman

Desire

Poem [2]

To Midnight Nan at Leroy’s

Bound No’th Blues

Song for a Dark Girl

Christ in Alabama

Come to the Waldorf-Astoria

Goodbye Christ

Letter from Spain

PROSE

The Negro Artist and the Racial Mountain

OGDEN NASH (1902–1971)

Reflections on Ice-Breaking

The Turtle

Columbus

COUNTEE CULLEN (1903–1946)

Tableau

Yet Do I Marvel

Incident

Heritage

Sacrament

For a Lady I Know

For One Who Gayly Sowed His Oats

From the Dark Tower

Nothing Endures

LORINE NIEDECKER (1903–1970)

Young girl to marry

Remember my little granite pail?

I said to my head, Write something.

The museum man!

A monster owl

Well, spring overflows the land

My friend tree

Poet’s work

I married

Popcorn-can cover

He lived—childhood summers

What horror to awake at night

My Life byWater

Frog noise

CARL RAKOSI (1903–2004)

ZZZZZ

L’Chayim

Lying in Bed on a Summer Morning

Objectivist Lamp

Old Lovers

RICHARD EBERHART (1904–Present)

The Groundhog

Dam Neck, Virginia

The Fury of Aerial Bombardment

LOUIS (LITTLE COON) OLIVER (1904–1991)

Empty Kettle

The Horned Snake

LOUIS ZUKOFSKY (1904–1978)

‘‘Mantis’’

Anew 10

Anew 20

Anew 21

H. T.

‘‘A’’-11

I’s (pronounced eyes)

CARMEN CELIA BELTRA´ N (1905–2002)

Flores Secas/Dried Flowers

STANLEY KUNITZ (1905–Present)

The Portrait

KENNETH REXROTH (1905–1982)

Lyell’s Hypothesis Again

from The Love Poems of Marichiko

ROBERT PENN WARREN (1905–1989)

Tale of Time

from Audubon: A Vision

AWay to Love God

WORLD WAR II INTERNMENT CAMP POETRY

Distorted Sun Akira Togawa

In Topaz Toyo Suyemoto [Kawakami]

Hokku Toyo Suyemoto [Kawakami]

Untitled Sojin Takei

Untitled Sojin Takei

Prisoner Muin Pzaki

Stepping through snow Oshio

Since the day of internment Sasabune

Dimples Sasabune

Shouldering Taro Katay

Hay spread for Hokko

Sprinkling Hokko

Is this to be? Rokaku

The days when I laughed Hakkaku

Birds Gensui

Thorns of the iron fence Kyokusui

Passed guard tower Kyotaro Komuro

Want to be with children Kyotaro Komuro

Withered grass on ground Shonan Suzuki

Moon shadows on internment camp Shonan Suzuki

Young grass red and shriveled HakuroWada

Released seagull HakuroWada

Even the croaking of frogs HakuroWada

Untitled Keiho Soga

Untitled Keiho Soga

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