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  Table of Contents

Acknowledgments
Timeline: The 1920s
Introduction The Twenties and Cinema
-Lucy Fischer
1920 Movies, Margarine and Main Street
-Michael Aronson
1921 Movies and Personality
-Mark Lynn Anderson
1922 Movies and the Perilous Future
-Sara Ross
1923 Movies and the Changing Body Of Cinema
-Marcia Landy
1924 Movies and Play
-Jennifer M. Bean
1925 Movies and a Year of Change
-Gwenda Young
1926 Movies and Divine Stars, Defining Gender
-Maureen Turim
1927 Movies and the New Woman as Consumer
-Sumiko Higashi
1928 Movies, Social Conformity, and Imminent Traumas
-Angela Dalle Vacche
1929 Crashes and Finales
-Lucy Fischer
Select Academy Awards, 1927-1929   
Works Cited and Consulted
Contributors
Index





American Cinema of the 1920s
Bookstore | Seasonal Catalog Book Listings | Spring and Summer 2009 Catalog | American Cinema of the 1920s

American Cinema of the 1920s

Price: $24.95  

Subtitle:
Themes and Variations
Editor: Lucy Fischer
Subject:
Film and Media, American Studies
Paper
ISBN: 978-0-8135-4485-4
Cloth ISBN: 978-0-8135-4484-7
Pages: 264 pages, 33 illustrations
Publication Date:
May 2009
Series: Screen Decades


Description:

During the 1920s, sound revolutionized the motion picture industry and cinema continued as one of the most significant and popular forms of mass entertainment in the world. Film studios were transformed into major corporations, hiring a host of craftsmen and technicians including cinematographers, editors, screenwriters, and set designers. The birth of the star system supported the meteoric rise and celebrity status of actors including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino while black performers (relegated to “race films”) appeared infrequently in mainstream movies. The classic Hollywood film style was perfected and significant film genres were established: the melodrama, western, historical epic, and romantic comedy, along with slapstick, science fiction, and fantasy.

In ten original essays, American Cinema of the 1920s examines the film industry’s continued growth and prosperity while focusing on important themes of the era.



About the Author:

Lucy Fischer is a Distinguished Professor of Film Studies and English at the University of Pittsburgh. She is the author of Designing Women: Art Deco, Cinema, and the Female Form, among many other publications.


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