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Table of Contents

Acknowledgments vii
1 Introduction: The Diversity and Mobility of
Immigrant Arts 1
Paul DiMaggio and Patricia Fernández-Kelly
2 Migrants and the Transformation of Philadelphia’s
Cultural Economy 23
Mark J. Stern, Susan C. Seifert, and Domenic Vitiello
3 A Howl to the Heavens: Art in the Life of First- and
Second-Generation Cuban Americans 52
Patricia Fernández-Kelly
4 Inside and Outside the Box: The Politics of Arab
American Identity and Artistic Representations 72
Amaney Jamal
5 Desis in and out of the House: South Asian Youth
Culture in the United States before and after 9/11 89
Sunaina Maira
6 The Intimate Circle: Finding Common Ground in
Mariachi and Norteño Music 109
Clifford R. Murphy
7 GenerAsians Learn Chinese: The Asian American
Youth Generation and New Class Formations 125
Deborah Wong
8 Unfinished Journey: Mexican Migration through the
Visual Arts 155
Gilberto Cárdenas
9 Immigrant Art as Liminal Expression: The Case of
Central Americans 176
Cecilia Menjívar
10 Negotiating Memories of War: Arts in Vietnamese
American Communities 197
Yen Le Espiritu
11 Miracles on the Border: The Votive Art of Mexican
Migrants to the United States 214
Jorge Durand and Douglas S. Massey
12 Visual Culture and Visual Piety in Little Haiti: The Sea,
the Tree, and the Refugee 229
Terry Rey and Alex Stepick
References 249
Notes on Contributors 273
Index 277





Art in the Lives of Immigrant Communities in the United States
Bookstore | Seasonal Catalog Book Listings | Spring and Summer 2010 Catalog | Art in the Lives of Immigrant Communities in the United States

What Freud Didn't Know

Art in the Lives of Immigrant Communities in the United States

Price: $22.95  

Author: Edited and with an introduction by Paul DiMaggio and Patricia Fernandez-Kelly
Subject: Sociology
Paper ISBN: 978-0-8135-4758-9
Cloth ISBN: 978-0-8135-4757-2
Pages: 224 pages
Publication Date: August 2010
Series:
Rutgers Series - The Public Life of the Arts


Description:

Art in the Lives of Immigrant Communities in the United States is the first book to provide a comprehensive and lively analysis of the contributions of artists from America’s newest immigrant communities—Africa, the Middle East, China, India, Southeast Asia, Central America, and Mexico. Adding significantly to our understanding of both the arts and immigration, multidisciplinary scholars explore tensions that artists face in forging careers in a new world and navigating between their home communities and the larger society. They address the art forms that these modern settlers bring with them; show how poets, musicians, playwrights, and visual artists adapt traditional forms to new environments; and consider the ways in which the communities’ young people integrate their own traditions and concerns into contemporary expression.


About the Authors:

PAUL DiMAGGIO is the A. Barton Hepburn Professor of Sociology and Public Affairs, research director of the Center for Arts and Cultural Policy Studies, and director of the Center for the Study of Social Organization at Princeton University. He is the editor of Nonprofit Enterprise in the Arts: Studies in Mission and Constraint.

PATRICIA FERNÁNDEZ-KELLY holds a joint position with the sociology department and the Office of Population Research at Princeton University. Her book, For We Are Sold, I and My People: Women and Industry in Mexico’s Frontier, was featured by Contemporary Sociology as one of the twenty-five favorite books of the late twentieth century.



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