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Table of Contents

Contents
List of Illustrations
Acknowledgments
1  Standing Room Only
2  Over Here
3  Nation
4  Over There
5  Stars
6  Big Picture
7  Imports
8  Homecoming
9  Continuous Showings
Appendix A    Box-Office Rankings
Appendix B    Star Rankings
Notes
Index





Best Years
Bookstore | Seasonal Catalog Book Listings | Fall and Winter 2009 Catalog | Best Years

Best Years

Best Years

Price: $32.50

Subtitle: Going to the Movies, 1945-1946
Author: Charles Affron and Mirella Jona Affron

Subject: Film, American Studies

Paper ISBN: 978-0-8135-4697-1
Cloth ISBN: 978-0-8135-4582-0
Pages: 336 pages
Publication Date: September 2009


Praise for Best Years

"This outstanding book's overview of the role movies played at a key moment in the nation's history provides an invaluable and wonderfully readable resource for scholars, students, and everyone who loves the movies."—Robert Eberwein, author of Armed Forces: Masculinity and Sexuality in the American War Film


Description:

Americans flocked to the movies in 1945 and 1946—the center point of the three-decade heyday of the studio system’s sound era. Why?

Best Years is a panoramic study, shining light on this critical juncture in American historyand the history of American cinema—the end of World War II (1945) and a year of unprecedented success in Hollywood’s “Golden Age” (1946). This unique time, the last year of war and the first full year of peace, provides a rich blend of cinema genres and types—from the battlefront to the home front, the peace film to the woman’s film, psychological drama, and the period’s provocative new style, film noir.

Best Years focuses on films that were famous, infamous, forgotten, and unforgettable. Bigbudget A-films, road shows, and familiar series share the spotlight. From Bergman and Grant in Notorious to Abbott and Costello in Lost in a Harem, Charles Affron and Mirella Jona Affron examine why the bond between screen and viewer was perhaps never tighter. Paying special attention to the movie-going public in key cities—Atlanta, New York, Boston, Honolulu, and Chicago—this ambitious work takes us on a cinematic journey to recapture a magical time.


About the Author:

CHARLES AFFRON
is professor emeritus of French at New York University. He is the author of Lillian Gish: Her Legend and Life, coauthor of Sets in Motion: Art Direction and Film Narrative, and editor of 8½: Federico Fellini, Director (Rutgers University Press). Along with Mirella Jona Affron and Robert Lyons, he is a general editor of Films in Print and Depth of Field, both Rutgers University Press series.

MIRELLA JONA AFFRON is a professor of cinema studies at the College of Staten Island/CUNY, where she was provost from 1995 to 2002, and at the Graduate Center/CUNY. She is the coauthor of Sets in Motion: Art Direction and Film Narrative and editor of The Last Metro: François Truffaut, Director (both Rutgers University Press). Along with Charles Affron and Robert Lyons, she is a general editor of Films in Print and Depth of Field, both Rutgers University Press series.



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