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Table of Contents

Introduction
One. The Engine of Culture
Two. The Business of Culture
Three. The Virtues of Industry
Four. Molding and Modeling Civic Consumption
Five. Weaving the New into the Old
Six. A Parade of Civic Virtue
Conclusion





Made in Newark
Bookstore | Seasonal Catalog Book Listings | Spring and Summer 2010 Catalog | Made in Newark

Made in Newark

Made in Newark

Price: $49.95  

Subtitle: Cultivating Industrial Arts and Civic Identity in the Progressive Era
Author: Ezra Shales
Subject: Regional, Art History
Cloth ISBN: 978-0-8135-4769-5
Pages: 304 pages with 12 color and 65 black-and-white-photographs
Publication Date: May 2010
Rivergate Books


Praise for Made in Newark:

“Shales draws on an impressive array of sources to weave ideas about education, citizenship, economics, cultural pluralism, and the role of the museum in a manufacturing town. The result is an intensive and intriguing view of the past.”
American Craft, March 2011

“Shales offers rich and compelling insights into the discussion of industrial arts. His deft handling of a wide variety of source material – from visual and material culture to performance culture, from educational philosophy to economic policy, and from craft romanticism to scientific management – distinguishes this book as an important contribution to design history, used in the broadest and best sense. It is a gripping
story of shifting alliances and goals.”
—Edward S. Cooke Jr., Yale University


Description:

What does it mean to turn the public library or museum into a civic forum? Made in Newark describes a turbulent industrial city at the dawn of the twentieth century and the ways it inspired the library’s outspoken director, John Cotton Dana, to collaborate with industrialists, social workers, educators, and New Women.

This is the story of experimental exhibitions in the library and the founding of the Newark Museum Association—a project in which cultural literacy was intertwined with civics and consumption. Local artisans demonstrated crafts, connecting the cultural institution to the department store, school, and factory, all of which invoked the ideal of municipal patriotism. Today, as cultural institutions reappraise their relevance, Made in Newark explores precedents for contemporary debates over the ways the library and museum engage communities, define heritage in a multicultural era, and add value to the economy.
 


About the Author:

EZRA SHALES teaches at the New York State College of Ceramics at Alfred University. He has worked as a museum educator at the Brooklyn Museum and the Katonah Museum of Art.




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