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Table of Contents

Prologue
1.  1880s-1916
2.  1917-1925
3.  1925-1929
4.  1930-1933
5.  1934
6.  1935-1936
7.  1937-1939
8.  1940-1945
9.  1946-1950
10. 1951-1955
11. 1956-1961
12. 1962-1969
13. 1970-1974
14. 1975-1980
15. 1981-1996
16. 1997-2007
Epilogue
Appendix A
Appendix B






Tillie Olsen
Bookstore | Seasonal Catalog Book Listings | Fall and Winter 2009 Catalog | Tillie Olsen

Tillie Olsen

Tillie Olsen

Price: $34.95  

Subtitle:
One Woman, Many Riddles
Author: Panthea Reid
Subject: Literary Studies, Women's Studies

Cloth ISBN: 978-0-8135-4637-7
Pages: 464 pages
Publication Date:
January 2010


Praise:

"A biographical bombshell. Reid's meticulous research undoes the feminist legend of Saint Tillie and replaces it with a complex, even-handed account of a passionate, often devious, and always ideological woman writer."-Elaine Showalter, author of A Jury of Her Peers: American Women Writers From Anne Bradstreet to Annie Proulx

"Panthea Reid tells an enthralling, complicated story of a maddening, charismatic writer; her self-creation, self-destruction, and self-promotion; and her profound social commitments."-Patricia Meyer Spacks, the author, most recently, of Reading Eighteenth-Century Poetry.

“The first comprehensive account of the extraordinary life of one of the 20th Century’s most exalted writers. Compelling reading.”-Scott Turow, author of Presumed Innocent

"Panthea Reid's quest for the truth about the courageous, egotistical, generous, maddening, and difficult Tillie Olsen is downright heroic. Tillie Olsen: One Woman, Many Riddles is biography at its fascinating best."-Valerie Martin, author of The Confessions of Edward Day
 

"An enthralling portrait of a vastly talented but famously underperforming writer.  Tillie Olsen drove editors wild waiting in vain for her to deliver not excuses but greatness.  I should know. One of them was my father."-Rob Cowley, Writer, Editor, and Anthologist


Description:

In Tillie Olsen: One Woman, Many Riddles, Panthea Reid examines the complex life of this iconic feminist hero and twentieth-century literary giant.

Born in Omaha, Nebraska, Tillie Olsen spent her young adulthood there, in Kansas City, and in Faribault, Minnesota. She relocated to California in 1933 and lived most of her life in San Francisco. From 1962 on, she sojourned frequently in Massachusetts, New Hampshire, Santa Cruz, and Soquel, California. She was a 1920s “hell-cat”; a 1930s revolutionary; an early 1940s crusader for equal pay for equal work and a war-relief patriot; an ex-GI’s ideal wife in the later 1940s; a victim of FBI surveillance in the 1950s; a civil rights and antiwar advocate during the 1960s and 1970s; and a life-long orator for universal human rights.

The enigma of Tillie Olsen is intertwined with that of the twentieth century. From the
rebellions in Czarist Russia, through the terrors of the Depression and the hopes of the New Deal, to World War II, the Nuremberg Trials, and the United Nations’ founding, to the cold war and House Un-American Activities Committee hearings, to later progressive and repressive movements, the story of Olsen’s life brings remote events into focus.

In her classic short story “I Stand Here Ironing” and her groundbreaking Tell Me a
Riddle, Yonnondido, and Silences, Olsen scripted powerful, moving prose about ordinary people’s lives, exposing the pervasive effects of sexism, racism, and classism and elevating motherhood and women’s creativity into topics of study. Popularly referred to as “Saint Tillie,” Olsen was hailed by many as the mother of modern feminism.

Based on diaries, letters, manuscripts, private documents, resurrected public records, and countless interviews, Reid’s artfully crafted biography untangles some of the puzzling knots of the last century’s triumphs and failures and speaks truth to legend, correcting fabrications and myths about and also by Tillie Olsen.


About the Author:

PANTHEA REID, a professor emerita of English from Louisiana State University, is the author of Art and Affection: A Life of Virginia Woolf and William Faulkner: The Abstract and the Actual.



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