Hollywood Exiles in Europe, Hollywood Exiles in Europe, 0813562619, 0-8135-6261-9, 978-0-8135-6261-2, 9780813562612, , New Directions in International Studies, Hollywood Exiles in Europe, 0813562627, 0-8135-6262-7, 978-0-8135-6262-9, 9780813562629, , New Directions in International Studies, Hollywood Exiles in Europe, 0813562635, 0-8135-6263-5, 978-0-8135-6263-6, 9780813562636, , New Directions in International Studies, Hollywood Exiles in Europe, 0813570867, 0-8135-7086-7, 978-0-8135-7086-0, 9780813570860
Hollywood Exiles in Europe

The Blacklist and Cold War Film Culture
Rebecca Prime (Author)
272 pages, 23 photos, 6 x 9
Paper, January 2014 $27.95   ADD TO CART
978-0-8135-6261-2
Cloth, January 2014 $80.00   ADD TO CART
978-0-8135-6262-9
Web PDF, January 2014 $27.95   EBOOK VERSION AVAILABLE
978-0-8135-6263-6
Series: New Directions in International Studies
Subject Area:
Film, Media Studies, and Communications, American Studies

Description

Rebecca Prime documents the untold story of the American directors, screenwriters, and actors who exiled themselves to Europe as a result of the Hollywood blacklist. During the 1950s and 1960s, these Hollywood émigrés directed, wrote, or starred in almost one hundred European productions, their contributions ranging from crime film masterpieces like Du rififi chez les hommes (1955, Jules Dassin, director) to international blockbusters like The Bridge on the River Kwai (1957, Carl Foreman and Michael Wilson, screenwriters) and acclaimed art films like The Servant (1963, Joseph Losey, director).

At once a lively portrait of a lesser-known American “lost generation” and an examination of an important transitional moment in European cinema, the book offers a compelling argument for the significance of the blacklisted émigrés to our understanding of postwar American and European cinema and Cold War relations. Prime provides detailed accounts of the production and reception of their European films that clarify the ambivalence with which Hollywood was regarded within postwar European culture. Drawing upon extensive archival research, including previously classified material, Hollywood Exiles in Europe suggests the need to rethink our understanding of the Hollywood blacklist as a purely domestic phenomenon. By shedding new light on European cinema’s changing relationship with Hollywood, the book illuminates the postwar shift from national to transnational cinema.

Praise

"An enthralling read, beautifully written, immaculately detailed, and an absolute page turner, with each new chapter offering fresh insights on the lives and works of these talented artists forced to leave their homeland."
—Film International

"A thoroughly gripping and exquisitely researched book. Drawing on a rich array of archival and published sources, including interviews, correspondence, and studio records, Prime pieces together the story of those who fled the U.S. for Europe after their livelihoods, and indeed their lives, were put in jeopardy by the blacklist."
—FIlm Comment

"With its potent cocktail of Cold War political chicanery, farcical judicial horse-trading and all out betrayal, the Hollywood blacklist has long fascinated American film historians. Rebecca Prime’s Hollywood Exiles in Europe is a compelling addition because she has chosen to broaden the picture by addressing the lives and work of the blacklisted Hollywood filmmakers who sought exile in Europe. Prime’s book is far more than just about the settling of scores rather it gives a nuanced portrait of a turbulent time that begs not be repeated."
—Hollywood Reporter

"In Hollywood Exiles in Europe, Prime offers an analysis of the work of Hollywood exiles in Western Europe with extraordinary depth and clarity. It is a significant contribution to the field."
—Rebecca M. Schreiber, author of Cold War Exiles in Mexico: U.S. Dissidents and the Culture of Critical

"Written with clarity, precision and verve, this fascinating new chapter in the history of the blacklist and in relationships between American and European film is jam-packed with admirably well-researched information."
—Janet Bergstrom, University of California, Los Angeles

"Prime has produced a meticulously researched work that both fills a gap in the extant scholarship of the period and usefully complicates the historical perception of the artists whose careers were affected by the blacklist. Recommended."
—Choice

Author / Editor Bio

REBECCA PRIME is the Libman Professor of the Humanities and an assistant professor of art at Hood College. Her work has appeared in the edited volumes “Un-American Hollywood: Politics and Film in the Blacklist Era (Rutgers University Press); World Film Locations: Paris; and World Film Locations: Marseilles.

Table Of Contents

Acknowledgments

Introduction
1. The Radical Community in Hollywood
2. Life on the Blacklist: Production and Politics in Postwar Europe
3. The Blacklist and "Runaway" Production
4. The Blacklist, Exile, and the Transatlantic Noir
5. Cosmopolitan Visions, Cold War Fears
6. Blacklisted Directors, Art Cinema, and the Caprices of Film Criticism
7. The Legacy of the Blacklist
Conclusion

Notes
Selected Bibliography
Index

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