Imagery of Lynching, Imagery of Lynching, 0813534585, 0-8135-3458-5, 978-0-8135-3458-9, 9780813534589, , , Imagery of Lynching, 0813534593, 0-8135-3459-3, 978-0-8135-3459-6, 9780813534596, , , Imagery of Lynching, 0813568803, 0-8135-6880-3, 978-0-8135-6880-5, 9780813568805,
Imagery of Lynching

Black Men, White Women, and the Mob
Dora Apel (Author)
304 pages, 14 color and 96 b&w illustrations, 7 x 10
Paper, September 2004 $38.95   ADD TO CART
978-0-8135-3459-6
Web PDF, September 2004 $70.00   EBOOK VERSION AVAILABLE
978-0-8135-6880-5
Subject Area:
African American Studies, History: US, Race and Ethnic Studies

Description

Outside of the classroom and scholarly publications, lynching has long been a taboo subject. Nice people, it is felt, do not talk about it, and they certainly do not look at images representing the atrocity.

In Imagery of Lynching, Dora Apel contests this adopted stance of ignorance. Through a careful and compelling analysis of over one hundred representations of lynching, she shows how the visual documentation of such crimes can be a central vehicle for both constructing and challenging racial hierarchies. She examines how lynching was often orchestrated explicitly for the camera and how these images circulated on postcards, but also how they eventually were appropriated by antilynching forces and artists from the 1930s to the present. She further investigates how photographs were used to construct ideologies of "whiteness" and "blackness," the role that gender played in these visual representations, and how interracial desire became part of the imagery.

Offering the fullest and most systematic discussion of the depiction of lynching in diverse visual forms, this book addresses questions about race, class, gender, and dissent in the shaping of American society. Although we may want to avert our gaze, Apel holds it with her sophisticated interpretations of traumatic images and the uses to which they have been put.

Author / Editor Bio

Dora Apel is the W. Hawkins Ferry Chair in Modern and Contemporary Art at Wayne State University. She is the author of Memory Effects: The Holocaust and the Art of Secondary Witnessing.